On Tuesday of this week, Jodie and I read excerpts of Razor Wire Women for an enthusiastic crowd of professors, students, and activists at the Kenan Theatre at UNC Chapel Hill. Thank you to David Navalinsky and the rest of the staff in the Department of Dramatic Art for setting up the theatre for our reading and to the folks from UNC’s Bull’s Head Bookstore for selling copies of our book at the event!
We will do another such event at the Regulator Bookshop on Ninth St. in Durham, NC, tonight at 7 PM. Come join us if you’re in the area!
I received an email announcement this week from Cultural Odyssey–the performing arts umbrella organization which includes the work of the Medea Project: Theater for Incarcerated Women. For those of you who do not know about the Medea Project and have not seen them perform, I highly recommend that you get to San Francisco to see the work they do as soon as you can. Scholar Rena Fraden wrote an excellent book, Imagining Medea, published by UNC Press in 2001, about the theatre work being done by director, playwright, and performer Rhodessa Jones with the women at the San Francisco County Jail. Now Rhodessa herself has a new book forthcoming in 2012 (though I can’t yet find any information about what press will be releasing the book). Here’s an excerpt from the press release Cultural Odyssey sent out over email:
RHODESSA JONES’ upcoming book release
Nudging The Memory:
Creating Performance with The Medea
Project: Theatre for Incarcerated Women – A Theater Handbook
“Nudging the Memory” is Rhodessa Jones’ first book! It is a response to the frequent inquiries from students, teachers, social workers, drama and family therapists, representatives of law enforcement, and of course artists/activists throughout the world regarding the work she has conducted with The Medea Project: Theatre for Incarcerated Women locally, nationally, and internationally. “Nudging the Memory” will be a theater handbook of performance exercises, writing explorations, and performance material that is used in the creation of autobiographical theatre for female offenders, as a means of re-entry and restorative justice, all as a part of a woman’s journey “home”. This document will aid others in giving voice to the voiceless, and empowering the powerless, hopefully ennobling all of us.
For further information about Jones’ new book, click here.